By I. Q. Hunter, Deborah Cartmell, Heidi Kaye, Imelda Whelehan
A full of life and stimulating examine representations, mutations and variations of 'the alien' in literature, movie and tv. utilizing notions of the alien and alienation in a commonly outlined experience, the individuals disguise early technological know-how fiction, from the gothic extraterrestrial beings of Dracula and H.G. Wells, to the vintage fifties chilly warfare sci-fi videos, corresponding to warfare of the Worlds, twentieth-century reworkings of varied 'alien' metaphors, similar to the Fly video clips and the Alien sequence, and comedian adaptations at the topic comparable to Mars assaults. relocating past the normal style limitations of the alien, specific essays glance, too, at 'race' as an alien situation, and on the use of sickness and ailment as a metaphor for alienation in sleek movie and fiction. Alien Identities is a well timed, conscientiously themed and much-needed examine of an more and more renowned topic.
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Extra info for Alien Identities: Exploring Differences in Film and Fiction (Film/Fiction)
The response of the new disease scenarios to this threat is to re-erect borders, to externalise the threat and mark it as foreign, alien, even as the very scientific concepts used to do this are undermining this project. Another facet of this response is what must register in the scientific or quasiscientific terms of these texts as an unquantifiable, irrational commitment to human relationships and emotions – hence the re-formation of the couple in Outbreak and the Jaax family at the heart of The Hot Zone.
14 Subsequent American options have also been dropped and the European film production simply underlines the fact that this love story works as an allegory of America that shows how intimately democracy and political equality have been intertwined with slavery and citizenship. 15 What is to be noted is the number of historians who smarted on the publication of a fiction or the release of a film which encodes images of Jefferson. 16 Reputedly, John F. Kennedy once described a group of Nobel Prize winners as a the most wonderful array of talent to be gathered in a single place, ‘with the possible exception of when Thomas Jefferson dined alone’.
Jefferson’s politics were the politics of the Enlightenment as Notes on the State of Virginia (1786) so clearly demonstrates and that a libertarian should pursue a relationship with one of his own slaves strikes at the heart of the American dilemma of race relations. Sally Hemings supposedly looked white, like the mulatta figure who finds herself the protagonist of so many early African American fictions, and her daughter Harriet reputedly passed for white in the North after she turned twenty-one, as others of her family had done if they chose to exist on the white side of the colour-line, once freed or allowed to ‘walk’ by their father.